Well, a few weeks have passed since my last post, where I discussed the challenge of sculpting the base for my current project; a Charro Saddle.    As indicated, I spent several hours sculpting a model in clay. I payed particular attention to “‘artistic movement”  to make sure the base would complement the saddle, and lead the eye of the viewer.  After I was satisfied with it, I enlisted the critique from a very accomplished bronze artist.  By sculpting it in clay and then with the critique I had received, I was ready to reproduce the base in black walnut.    I must admit, I had a few moments of doubting whether I had the ability to complete what I was attempting to do.   I knew however, that it wasn’t going to get done, if I was going to question myself. 

Numerous pieces of walnut were glued together to obtain the bulk I would need.  Then with the clay model setting beside me, I began.  The process was slow at first, as a great deal of mass had to be removed from the block of wood using an electric grinder.    Soon however, I had the basic shape I needed.   I frequently used a caliper to make sure the size was equal to the clay model. 

First, the base was cut into a concave form, with numerous rocks and tree roots carved into place, to duplicate the pictures I had previously taken in the field.  Next the tree base was carved in an “S” shape to add interest and movement to the sculpture.  Branches were strategically placed to accommodate  the placement of the saddle when it was completed.  Particular attention was given to the texture of the bark, and the smooth areas where the bark was missing on the tree. 

The completed tree trunk, was then permanentely attached to the bottom part of the base to complete the look I was after.  It was now time to paint the tree, rocks and roots.  I used several washes of artists oil paints to accomplish the look I wanted.  I then put a satin finish over the bottom portion, being careful to maintain a good balance of shine and matt finishes. 

The carving of the saddle and base are now complete.  My next challenge will be to capture the weathered look of the leather through my painting techniques. 

Some 4 months ago, I looked at a Charro saddle, with a great deal of apprehension & doubt.  Did I have the ability to carve it?  I questioned my abilities again, when I attempted to sculpt the base.  Now I have only one hurdle to cross -  PAINTING THE CHARRO SADDLE. 

Stay tuned, I’ll update the progress and hope to have the sculpture completed within the next two weeks.

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